PS it is not required any understanding to take fun

"The time of the crime" of Giuseppe Capotondi

with Ksenia Rappoport, Filippo Timi, 1 h 35.

Director Giuseppe Capotondi, forty-two years, here is the first feature film - former photographer for newspapers ("Marie-Claire"), and advertising agencies (Young & Rubicam), he made clips for the Spice Girls and pubs for BMW-, commented thus on his work: "it might define it as a genre film that would draw in solid hands on film noir."the mélo, the thriller and the psychological horror film. "It all begins with a"speed dating"session: three minutes to seduce her with respect and, in the best - or worst - case, put it in his bed. Here, it will be for the worst. Sonia is maid in a hotel. Guido, former police officer back in security, is responsible for keeping a villa packed with art objects. Having committed the imprudence of Sonia in the said villa, Guido is victim of a hold-up which goes wrong. He died. Or perhaps does he not die. Or perhaps Sonia has trapped him. Or perhaps... Skilfully led, "The time of the crime" is a clever montage where the rules of space-time are abused for the benefit of the suspense. Clever and attractive. (PS: it is not required any understanding to take fun.)

T G.

"A violent poison" of Katell Quillévéré

with Clara Augarde, Lio, Michel Galabru, Stefano Cassetti, Thierry Neuvic Youen Leboulanger-Gourvil. 1: 32.

Preceded by a flattering rumor - the prestigious Jean-Vigo 2010 and a selection to the very popular 15 Cannes directors-, this first feature film of a young director claims bluntly self-imposed the relationship between sex and religion. Anna (Clara Augarde), 14 young, soon making his confirmation. Daughter of divorced parents - mother bigote (Lio) and father miscreant (Thierry Neuvic)-, resident in an institution for young girls, she just spend his summer holidays in the village where hard to live his mother and his paternal grandfather (Michel Galabru). But when confide in God, it is rather the devil in the flesh the maelstrom. It is not the only one: parish mother in clamp for the young and spirited priest, who, Italian origin, turns good footballer and an irresistible charm. Father François, who is not insensitive to torture the hands on his single bed in begging the sky of the disbursing of this the torture garden. Grandfather, subclaquant but still vigorous, he cannot hide his emotion when her granddaughter to the toilet. Sensing his end, he asks even to show him, history of go in peace, "there where it came from." Understanding non-not the scene of his childhood but beautiful and well "the origin of the world". Worse, it is the small runs. This "Devil body" breizh does not merit the absolution (PS: Jean Vigo, can review "Conduct zero")

T G.

"The bridge Café", Manuel Poirier

with Bernard Campan, Cécile Rebboah. 1: 35.

Inspired by the memories of Pierre Perret, "Le Café du Pont" tells the childhood of small Pierrot. To quote Charles Aznavour ("La Mamma"): "Y' has so much love, memories Y' has so many tears and smiles. Resistance to the release of fishing for the frog to the collection of snails, the grosse cousin that is a ball in the hay at the evocation of small women in Toulouse, the Epicurean priest "avé the assent (and the heart, pardi!)". "big way" to the sadistic schoolmaster who use its rule on phalanges of Pierrot, short of counter alcoholic dreams of dancing, enthusiasm irresistible papa to delicate mother bronchi, cars of initial rafistolées to the shiny new Rosenthal Calenders, everything passes. An accumulation of chromos and cliches so heavy that it is difficult to imagine that they are, despite the complicit appearance of Sergi Lopez killer of moles, the work of the author of "Western". (PS: "that pasa, hombre")

T G.